Let’s be honest. The only way to know if a trend is really happening is to check social media. Official Alan Ginsberg I’m Gay Shirt Sure, we can scour the runway for the biggest handbag trends or find the best designer bags to buy, but nothing holds a candle to the power of peer approval in the form of someone purchasing the It bag of the moment. And when it comes to approving what trends are worth actually buying into, no one is quite as influential as the French fashion set. Call it cliché, but before a trend can pop off on TikTok, it’s most likely going to emerge on the streets of Paris—c’est la vie. So when it comes to discerning which handbag trends are likely to take over, you must first keep an eye out for what’s coming out of luxury French houses as well as what ends up being donned by French women. It’s not always easy, which is why I’ve done the heavy lifting for you and highlighted five bag trends that are trending in the Parisian fashion scene right now. These purses not only dominated various spring/summer collections but are also worth buying into, even if you don’t live in Paris. When it comes to trends, the French fashion set is always ahead of the curve. Case in point: the adoption of the curved-line handbag trend. It was only just last September that luxury houses like Balenciaga and Loewe were pushing bags with an emphasis on curved angles down the runway, but they’ve already hit the streets of Paris.

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The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, Official Alan Ginsberg I’m Gay Shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.