This was the first person we stopped to ask for a photo, I May Live In Maryland But I’ll Always Have The Buffalo Bills In My DNA Shirt and it just so happened to be Lizzy Hadfield, influencer extraordinaire of Shot From the Street fame. Once we spotted Lizzie, I just knew we were in the right place. We were immediately drawn to Lizzi’s vintage patchwork jacket-and-jeans combo. There was an ease to her outfit that just made it feel effortless yet still so interesting and stylish. I guess there’s a reason she has over 500K followers. Further proving just how stylish the crowd around London Fields is, we then spotted Anh Phoenix, a London-based model. Phoenix, who had her adorable dog, Miu, in toe, was wearing a vintage leather jacket and Burberry shirt with a pair of wide-leg jeans. The model also sported a pair of Sunday Somewhere sunglasses and Converse x Comme des Garçons sneakers. The first thing I noticed about Shea Goli was her incredibly chic Chanel loafers and bright-red jumper. She certainly knows how to elevate a casual coffee run. Fashion designer Anna Pipkorn caught our eye thanks to her spring-ready outfit and insanely cute pup, Otto. The creative was wearing a dress by Nobody’s Child (the brand she designs for) and paired the floral midi alongside a denim jacket, Loewe bag, and Converse sneakers.

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Having analysed the spring/summer 2024 fashion trends for months now (literally), I May Live In Maryland But I’ll Always Have The Buffalo Bills In My DNA Shirt I’m here to tell you about the ones that are genuinely wearable and will truly affect your wardrobe for the next six months (and beyond, if I have anything to do with it). There’s a lot to talk about for S/S 24, but this hasn’t always been the catwalk way. If all the world’s a stage, Fashion Month has long been the costume cupboard—a trove of froth and tulle, sparkle and glitter designed to catch the eye and hold it. A dressing-up box that, although delightful and entertaining to lose yourself in, doesn’t always hold up in reality. This isn’t necessarily a bad thing—we could all use some fabulous escapism from time to time—but, ultimately, when you venture out from the sanctity of your wardrobe, you need to be able to live in these creations. At least in the physical realm—we’ll get into the virtual later. For spring/summer 2024, I have to applaud designers for creating collections that, yes, hold beauty, but also have a place in the everyday. But first, let’s travel back to September and October of last year and reflect on how things unfolded. Across the four fashion capitals—New York, London, Milan and Paris—a total of 299 designers showcased their collections, 19 new to the Fashion Month circuit, compared to 247 for spring/summer 2023 (credit to the fashion data analysts at Tagwalk for doing these calculations). Growth is a good thing, especially in creative industries, but I found this hard to believe, personally. Off the top of my head, I can think of a handful of designers who couldn’t secure budget to show, or whose brands were lost to greater financial struggles (I still can’t move on from the Christopher Kane-shaped hole that permeated the London schedule). With growth always comes change, and perhaps one of the biggest this season came in the form of a renunciation. Alexander McQueen’s Creative Director Sarah Burton announced that the spring/summer 2024 collection would be her last after 26 years at the brand. Burton had respectfully taken the helm after the British institution’s iconic and groundbreaking founder Lee Alexander McQueen passed away in 2010, with her subsequent collections serving as a love letter to his influence and precociousness. Cate Blanchett attended, Naomi Campbell walked and a standing ovation rang out during the final, tender moments of Paris Fashion Week.