If you thought 2022’s fixation with fashion from the turn of the century hit its peak with micro miniskirts and ultra low-rise jeans, 2024 C-USA Softball Championship shirt just wait until you hear about the sartorial sector’s latest obsession. First spotted on the streets of Copenhagen during the city’s runway shows at the beginning of the month, Moon Boots are fast becoming the most-worn footwear trend of the F/W 22 season. And no, I’m not kidding. Following their debut in Copenhagen, the astronaut-inspired knee-high and ankle-high boots that ruled the Sundance Film Festival fashion scene in the early aughts have appeared on show-goers in every city on the Fashion Month circuit, including New York and London. Paired with knee-high leg warmers, slouchy trousers, and minidresses, Moon Boots are proving to be a surprisingly wearable shoe choice, which might be why they’re almost completely sold out. Further fueling their comeback, influencers and celebrities are, too, turning to the style for their end-of-winter wardrobes. Earlier this week, Camille Charriere posted a slideshow on her Instagram showcasing her mini Moon Boots styled with black jeans and a plaid puffer, while Copenhagen-based model Karoline Beltner wore her metallic pair with cargo pants and a shearling jacket. Saving the best for last, Dua Lipa debuted a pair on her Instagram, worn during the current Future Nostalgia tour. In other words, they’re gaining steam fast. And if you want to hop on the Moon-Boot train before every last pair sells out, you’ll have to act fast.

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The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, 2024 C-USA Softball Championship shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.