If you thought 2022’s fixation with fashion from the turn of the century hit its peak with micro miniskirts and ultra low-rise jeans, Daffy duck I bet against myself and I won shirt just wait until you hear about the sartorial sector’s latest obsession. First spotted on the streets of Copenhagen during the city’s runway shows at the beginning of the month, Moon Boots are fast becoming the most-worn footwear trend of the F/W 22 season. And no, I’m not kidding. Following their debut in Copenhagen, the astronaut-inspired knee-high and ankle-high boots that ruled the Sundance Film Festival fashion scene in the early aughts have appeared on show-goers in every city on the Fashion Month circuit, including New York and London. Paired with knee-high leg warmers, slouchy trousers, and minidresses, Moon Boots are proving to be a surprisingly wearable shoe choice, which might be why they’re almost completely sold out. Further fueling their comeback, influencers and celebrities are, too, turning to the style for their end-of-winter wardrobes. Earlier this week, Camille Charriere posted a slideshow on her Instagram showcasing her mini Moon Boots styled with black jeans and a plaid puffer, while Copenhagen-based model Karoline Beltner wore her metallic pair with cargo pants and a shearling jacket. Saving the best for last, Dua Lipa debuted a pair on her Instagram, worn during the current Future Nostalgia tour. In other words, they’re gaining steam fast. And if you want to hop on the Moon-Boot train before every last pair sells out, you’ll have to act fast.

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Having analysed the spring/summer 2024 fashion trends for months now (literally), Daffy duck I bet against myself and I won shirt I’m here to tell you about the ones that are genuinely wearable and will truly affect your wardrobe for the next six months (and beyond, if I have anything to do with it). There’s a lot to talk about for S/S 24, but this hasn’t always been the catwalk way. If all the world’s a stage, Fashion Month has long been the costume cupboard—a trove of froth and tulle, sparkle and glitter designed to catch the eye and hold it. A dressing-up box that, although delightful and entertaining to lose yourself in, doesn’t always hold up in reality. This isn’t necessarily a bad thing—we could all use some fabulous escapism from time to time—but, ultimately, when you venture out from the sanctity of your wardrobe, you need to be able to live in these creations. At least in the physical realm—we’ll get into the virtual later. For spring/summer 2024, I have to applaud designers for creating collections that, yes, hold beauty, but also have a place in the everyday. But first, let’s travel back to September and October of last year and reflect on how things unfolded. Across the four fashion capitals—New York, London, Milan and Paris—a total of 299 designers showcased their collections, 19 new to the Fashion Month circuit, compared to 247 for spring/summer 2023 (credit to the fashion data analysts at Tagwalk for doing these calculations). Growth is a good thing, especially in creative industries, but I found this hard to believe, personally. Off the top of my head, I can think of a handful of designers who couldn’t secure budget to show, or whose brands were lost to greater financial struggles (I still can’t move on from the Christopher Kane-shaped hole that permeated the London schedule). With growth always comes change, and perhaps one of the biggest this season came in the form of a renunciation. Alexander McQueen’s Creative Director Sarah Burton announced that the spring/summer 2024 collection would be her last after 26 years at the brand. Burton had respectfully taken the helm after the British institution’s iconic and groundbreaking founder Lee Alexander McQueen passed away in 2010, with her subsequent collections serving as a love letter to his influence and precociousness. Cate Blanchett attended, Naomi Campbell walked and a standing ovation rang out during the final, tender moments of Paris Fashion Week.