I’ve always been fascinated by the style in New York. Hockey Life Phoenix shirt Even before I moved to the city, I always made a point of stalking what the stylish set was wearing and shopping. NYC girls are always first to test-drive the newest emerging trends, and the city is a breeding ground for fashion’s latest It items. But as trendy as the style may be here, it’s never not practical. So you can imagine that when I started seeing an It bag emerge as a favorite among my peers, I was all over it. What’s the next It bag that’s winning over fashion people in New York? Meet Mansur Gavriel’s Candy Bag. Launched amid New York Fashion Week’s return to in-person shows last month, the bag could be seen on a number of editors and influencers running in between shows and appointments. I even got my hands on it, and I am pleased to share that it’s quickly become my go-to. Not only does it fit all the essentials, but the patent finish makes it the perfect addition to any fall ‘fit, and its midrange price tag makes it significantly more accessible than most designer It bags. As our senior editor Allyson Payer already noted, the Candy Bag is one we can see ourselves reaching for so often that we forget our other bags exist.

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Milan witnessed a big change, too. Hockey Life Phoenix shirt Gucci’s new creative director Sabato De Sarno held positions at Prada, Dolce & Gabbana and Valentino before taking on this role, which catapulted him and his first collection for the brand into the spotlight last September. Buyers, editors and celebrities descended upon the Italian city to take in the spectacle—ask any fashion devotee without a ticket and they would likely have told you they’d give away their Birkin to have a front-row seat at this show. There’s no denying that De Sarno’s predecessor Alessandro Michele kept Gucci on the fashion map with his geek-chic sensibilities; an aesthetic that would define a moment in fashion history. Still, moments pass, and we saw De Sarno usher Gucci into a new era, one that places more value on essentials over eccentricities—a notion we’re seeing across the rest of the industry. A business built upon the customer’s desire to be seen in shiny new things will always have its issues. However, the thing that felt “new” this season was that some things just didn’t change at all. Perhaps the most noteworthy takeaway was that trends don’t seem to hold the same power that they used to. I’m generalising, of course—things get meta real fast if you so much as take a peek into the no-trends-actually-being-a-trend rabbit hole—but it feels as if creating trends for the sake of it could be a thing of the past. “The spring/summer 2024 collections have shown a continued commitment to 1990s nostalgia and the extraordinary everyday, where everyday items are elevated to exceptional levels of design and style whilst remaining chic and comfortable,” observes Net-a-Porter’s market director Libby Page. And she’s right. The market has experienced a shift of tectonic proportions in recent years where a genuine focus on quality over quantity and investing in things that last has become a priority for previously frivolous shoppers. The latest collections reflected this.