The show centers around a young woman named Stella who embraced a “live like you were dying” Let’s Get A Divorce T-shirt outlook on life while battling cancer for eight years and what happens when she suddenly finds out it’s been cured. We were lucky enough to chat with the fashionable star about her exciting new role as well as her personal life, style, and favorite places to spend time in L.A. Here’s everything we learned while catching up with Hale. “I’d be lying if I said it wasn’t scary to start something new, but creatively, it also was really thrilling and exciting. I had no idea that I would move on so quickly. I got presented with this show and this character who I absolutely fell in love with. It was so drastically different from what I’ve been doing for the last eight years of my life. I always go with my gut, and my gut instinct was telling me that this was a character that only I can do, and I’m really glad that I got to do it, because it ended up being one of the greatest experiences of my life. I’m just very excited to introduce [my character] and the show to everyone.”. “We’re both perfectionists in a way. Stella is actually someone I would strive to be more like because [she] likes to live in the moment, travel to new cities, and always see the glass half full. I think that she has a very positive outlook on life. I would love to be more like that. Stella is also a fixer. She wants to fix everyone else’s problems and puts her problems on the back burner, which is something I tend to do in my everyday life as well.”
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The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, Let’s Get A Divorce T-shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.
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