To no one’s surprise, Daniel Lee’s iconic The Pouch bag strikes again. The second it was released, it basically sold out. Proud member of the fuck your feelings generation est 1972 shirt This cloud-like clutch quickly caught the attention of every influencer, celebrity, and fashion girl in existence. Even the savviest shoppers are still having difficulties nailing this designer bag down due to all the hype it’s generated. The unsurprising thing about The Pouch is that its owners love showing it off, and who wouldn’t? Whether it be on Instagram or in reality, this bag has claimed its rightful spot center stage in the industry, and all of your votes have formally confirmed that as we leave 2019, the roar of this bag will continue to sound. If anyone knows how to identify the It items of the moment, it’s Acielle, street style photographer of Style du Monde. “I think I saw more Bottega Veneta bags during fashion month than any other brand,” she says, and as someone who travels to shoot the most iconic street style scenes in the world, this woman really knows what she’s talking about. Our readers also agreed full-heartedly with Acielle, and one said that “this bag was seen all over—on the streets, on the runway, and on celebrities. It’s unique and should be able to carry all your essentials.” They’re right—for a clutch, The Pouch holds quite a lot and, as seen on the streets, makes any outfit look that much more notable. If you’re looking for a designer bag to gift yourself with this season, The Pouch gets all of our votes.

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The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, Proud member of the fuck your feelings generation est 1972 shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.