At Kingtees. Sunlight Gouache Painting Hozier shirt We know for beginners and experts alike, printing on apparel can feel like you’re going in blind so we wanted to make this process a lot easier on you by providing you with expert printing recommendations. We sent Rick Roth, screen printing legend, on a mission to test out discharge ink and three versions of plastisol inks on our solids, Heather CVC and Triblend fabrics. When deciding which printing method to use for your project, take a look at the colors you need for your design. Screen Printing and DTG handle colors differently, and both have their own specific benefits:
Sunlight Gouache Painting Hozier shirt, hoodie, sweater, longsleeve and ladies t-shirt
For our interpretation of this trend, we used our Street Fleece campaign imagery for the back and our logo for the front. Sunlight Gouache Painting Hozier shirt We’ll show you how to achieve this by using multiple layers of white and black ink and an accent of white puff ink for slight dimension. Looking at a black and white image, you might assume it’s a two screen print. However for this image, we employed the use of seven screens to get a soft, tonal and gradient look. We used two underbase screens, two black screens, two whites, and one extra screen with white puff ink for a subtle accent of texture and dimension. Printing on the front of a garment can be challenging, but we’ll show you how we achieved precision placement, negotiating the zipper. We recommend using what we call a soft top platen. It’s coated with a silicone foam topper and is about 3/8 thick. It will compress down as we print, which is really important to avoid ripping the screen open as it pulls across. Spritz a light mist of tack, flatten out the garment and it’s ready to print! Looking for one extra layer of protection? Try applying painters tape so there’s no part of that hot metal zipper that’s going to touch the screen.
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