Sometimes (okay, a lot of times) figuring out what to wear to work each morning can be tough. Yes, I’m From Detroit The Motor City T-Shirt We have all found ourselves staring into the abyss that is our closet, wondering how on earth, out of all these clothes, we simply have nothing to wear. Since this feeling occurs way too often, we decided to round up some outfit inspiration for your work week ahead. When it comes to dressing for the office, you want something that looks fashionable, is appropriate for a work environment, and is simple to pull together. We have found the perfect street style looks that are just that. Do you ever scroll through your Instagram feed and think, How do other girls look that effortlessly cool in photos? You’re not alone. Striking the right pose (or action shot) in street style photography is something of an art. Models off duty have the look down pat, and our favorite fashion bloggers are pros at nailing the shot as well. So for all of us still working on mastering that couldn’t-care-less quality of cool, we decided to do some research on how to pose like a model for photos. Next time you’re caught on camera, you can follow these tricks to ensure that you and your outfit are presented in the best possible light. For study material, we turned to the street style snaps of models off duty, and we’ve we’ve rounded up some of our favorites below. Read on to learn how to strike some of the best poses for fashion street style.

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The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, Yes, I’m From Detroit The Motor City T-Shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.