Reilly is defining a new era of celebrity street style, Once upon a time there was a girl was a girl who love books and cats it was me the end Unisex Tshirt, Cotton Womenswear, High durability non-shrink fabric a movement that grew organically from working on everyday outfits and red carpet looks with her mega celeb clients, including Hailey Bieber, Ciara, and Megan Fox. Her influence on fashion today is undeniable, and the looks she’s putting together have likely inspired how you’ve been getting dressed. Reilly is a master of the elevated casual outfits pairing pieces like baggy jeans and crop tops with oversize blazers that have gone viral on Instagram, and she is an early adopter of the latest accessories, like pointy-toe heels, that emerge as the new cult fashion buy—all things that have certainly influenced how I’ve been getting dressed recently. Speaking with Reilly, it’s clear that she has an innate sense of what works for her celebrity clients and their looks, but she also has insight to share. Here, Reilly shares her five street style tips to adopt when you’re getting dressed. “Not every blazer is created equal—you know what I mean?” Reilly says. “It’s [about] looking for pieces that have really beautiful structure or some sort of unique detail or something that just sets it apart from everything else.”

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The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, Once upon a time there was a girl was a girl who love books and cats it was me the end Unisex Tshirt, Cotton Womenswear, High durability non-shrink fabric which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.